JiHo and Se Hee's parents meet each other for the first time. Although Ji Ho and Se Hee agreed on not holding a wedding, Ji Ho's mom and Se Hee's dad think otherwise. Won Seok still can't understand why Ho Rang got mad. S1, Ep6. 24 Oct. 2017. Because This Is Our First Time. 8.3 (34) 0. SinopsisFilm Because This Is My First Life. Nam Se-hee (Lee Min-ki) adalah seorang pegawa IT yang canggung dalam bersosialisasi dengan orang lain. Karena suatu hal, Nam Se-hee menikahi Yoon Ji-ho (Jung So-min), seorang penulis yang kesulitan hidup karena tidak memiliki rumah. Keduanya setuju menikahi dengan kontrak selama dua tahun. Season 1. Soo Ji gets mad at Sang Goo for invading her privacy, and Sang Goo tries to understand her. The friends find out about how Won Seok broke up with Ho Rang. Meanwhile, Ji Ho gets a job offer from a production company. (Source: Viu) Aired: November 20, 2017. BecauseThis Is My First Promise. 8.8 (32) Rate. Ji Ho and Se Hee's parents meet each other for the first time. Although Ji Ho and Se Hee agreed on not holding a wedding, Ji Ho's mom and Se Hee's dad think otherwise. Won Seok still can't understand why Ho Rang got mad. S1, Ep6. 24 Oct. 2017. SinopsisBecause This Is My First Life Korean Drama 08 February 2018 Sejujurnya, awalnya saya menonton drama ini dengan rasa pesimis yang sangat besar, karena saya menonton drama kalau pemainnya ganteng minimal saya kenal lah ya. BecauseThis Is My First Life Episode 13. 8.7/10 from 14 users. Nov 20, 2017. Because This Is My First Life Episode 15. 7.8/10 from 13 users. Nov 27, 2017. Se Hee accepts Ji Ho's suggestion to terminate the contract. Won Seok and Bo Mi go to a restaurant together and run into Ho Rang. Trying to ease the pain, Se Hee drinks until he Di0sJ. finally I am so happy that the marriage obsessed and engineering guy couple are breaking up. its obvious that they gonna get back together in later episode, but honestly that relationship was such a fat mess from the beginning. it was flying bright red flags all the way from the start and throughout its entire existence. I cant find one cute thing in their relationship, all their "cute" scenes felt like they were fleeting moments of happiness that were placed so perfectly so it would hide their issues. like for example the whole couch shit, she literally never apologised for that, her apology was just to cry and say "I wanted to get proposed to", does that really make it any better. they had a whole "cute" scene where he was coaxing her or what not, but really why is that his job, he literally didn't even get an apology he just gave into her hurt and pushed aside his. they whole issue was she was the main character and he was her doll. the whole I shaped him into boyfriend material, now to shape him into husband material, seriously what part of that was ok, that what I mean, just cos she had a smile on her face when she said it, dont mean it cute relationship things. it just hiding a bunch of unsolved shit. its so unbeleivably sexist their relationship, it drives me insane. they painted it to be the typical"woman and men dont speak the same lnauge problem" and its just so disgusting. that genre of "love" really deserves a break up. I think she's the only character that irritates me in this whole drama. like im not saying her dreams are less important or nothing, but she dont let anyone think that way so that's not even the issue, its the fact that she's so selfish and no one called her out on it till now. Leia Mais Esta resenha foi útil para você? recaps discussion news cast 317 November 22, 2017November 22, 2017 Because This Life Is Our First Episode 13 by murasakimi It’s a difficult episode for many of our characters as we delve deeper into someone’s painful past, someone’s complicated present, and someone’s uncertain future, and learn about the ways in which people retreat, run, or push back against the parts of themselves that they’d rather not face honestly. As always, this show offers some profound words of wisdom and, perhaps more importantly, some compassion for our characters and ultimately for us viewers. Because this life is our first, after all, and no one gets it right all the time. Episode 13 “Because this is my first time visiting your room” Se-hee asks Ji-ho if she would like to sleep together, and she accepts. Meanwhile, Won-seok asks Ho-rang to break up, explaining that he isn’t confident that he can make her happy. He tells her that he’ll stay at Sang-gu’s to give her some space, which leads to her railing at him for asking her to wait five more years to get married, but now suddenly saying that he has no confidence to see through his promise. With tears welling in his eyes, he screams at her not to wait for him, and asks why she always talks of their seven-year relationship as if she’s the victim. He says that he gave up on his dreams for the sake of their marriage, and feels suffocated every day because of it. He says that button-down shirts and ties are uncomfortable, then storms out. Back at the apartment, Se-hee waits for Ji-ho in her room with Cat. Ji-ho returns with some tangerines, and Se-hee remarks that it’s the first time he’s been in her room since their wedding. She says regretfully that she should have cleaned beforehand, but he says that her room is very like her, and smells like her too. Alarmed, she asks if the room smells, then discreetly sniffs herself. Cute. The conversation kind of peters out awkwardly, until Se-hee picks up a book from her table and reads the title Going to Room 19. She explains the plot to him, describing a perfect couple. One day, the wife wanted a space of her own, so the husband made a room solely for her usage. But over time the room became like any other room, with other family members entering and exiting as they pleased. Therefore, the wife booked a room at a cheap motel without telling anyone, and would occasionally go there for a few hours and do nothing because she felt happy just being in the room. Se-hee says that the wife was happy because the room was space where she could be perfectly alone. He adds that getting married means that your own time and space disappears. The wife’s happiness of being alone is something that he can understand, and he calls the book a good story. Ji-ho grows thoughtful and remarks, “I think it’s also a sad story.” She admits that she thought of Se-hee while reading the book, and reminds him of something he had said long ago about not getting married because the only things he could be responsible for are his house, Cat, and himself. Though she understands the logic of his thinking, she asks if living that way gets lonely. He concedes that he never thought about being lonely. Instead, he thought it would be better to be alone than to involve himself with others. She recalls something else he said, about one love being enough in a person’s life. Internally, she wonders if that one love he spoke of has already passed for him, and whether love ever start again for him. He suggests they go to bed since it’s getting late, then steps out for a moment to retrieve his pillow, which gives Ji-ho time to do a smell check, spritz her room, and grow nervous. She gives herself a pep talk, but then once Se-hee knocks on her door, she pretends to be asleep. He very sweetly and quietly gets into bed next to her, then asks if she’s sleeping. She automatically responds that she is then silently admonishes herself, but soon they are staring into each other’s eyes, and Se-hee asks if he can hold her. He pulls her close, and he repeats his comment about the smell of her and she grows self-conscious again, but this time he clarifies that he’s referring to her scent, rather than something bad-smelling. He strokes her hair then says that he’s glad that she stopped being a scriptwriter, which catches her off-guard. He says that it was a joke, then he confesses to not being very good at jokes and worried that she’s upset after she stares at him wordlessly. Instead of answering, she asks if she can kiss him, and he says, “Yes,” and so they do. Internally, Ji-ho narrates “Maybe it isn’t love, but it’s all right even if it isn’t. Today’s the first day that he visited my room—and that’s enough.” The next morning, Se-hee gets up first and leaves before Ji-ho wakes. He pauses to glance back at her and note her roaring snores before nodding to himself, then making a note of it on his large spreadsheet containing observations about all his tenants broken down by day. Next, he researches recipes on how to cook omurice, then gets cooking. His cooking technique is pretty much all flash, and it honestly seems like he’s just making a mess, but eventually he produces something and leaves it covered on the table for Ji-ho with a note. Su-ji walks her mother out of the apartment, and uses the opportunity to beg her mom to quit working and live in Seoul with her. Mom tells Su-ji to move back to Namhae instead, but Su-ji is just concerned about Mom traveling back and forth the long distance to visit. Mom assures Su-ji that she’s fine, but when Mom tries to go to the bus terminal by subway instead of letting Su-ji take her—insisting that Su-ji hurry to work after overhearing her being scolded over the phone by her boss—Su-ji protests. Right then, Sang-gu appears and offers Mom a ride, introducing himself as Su-ji’s boyfriend. Su-ji doesn’t look happy, but Mom does, and calls the two a perfect match because of their height. Sang-gu repeats his offer to take Mom to the bus terminal, and though Su-ji rejects him outright, Mom ignores her and goes with Sang-gu. During the car ride, Mom and Sang-gu seem to be hitting it off, as Sang-gu proudly tells Mom about his CEO status at his company, and his friendship with Se-hee known to her as Ji-ho’s husband, but things hit a snag when Mom finds him to be a bit older than expected. After a beat, Mom decides that it’s fine after all, and it seems like Sang-gu has gotten her approval. Back at the apartment, Ji-ho finally wakes. As she thinks to last night, we see that after their kiss, Se-hee stepped out for a moment. She giggled alone—giddy with excitement—certain that she wouldn’t be able to sleep anymore, while Se-hee grabbed some beers for them. Alas, when he returned Ji-ho was already fast asleep and snoring thunderously. In the present, Ji-ho beats herself up for squandering their perfect opportunity. She finds Se-hee’s note and perfectly circular omurice, complete with a ketchup smiley face. She takes a bite, but instead of sautéed vegetables, she’s confused to find a mouthful of raw onion. Later at the bus stop, she smiles to herself as she looks at the photos of the omurice, but her smile fades when she sees a promo poster for this alternative-universe version of Let’s Eat—written by her old boss, writer Hwang, and directed by Yong-seok. Ji-ho arrives at the cafe, where Bok-nam hands her a business card bearing the name “Go Jung-min.” The man who gave him the card said Ji-ho would know what it was for, although it doesn’t ring any bells. Go Jung-min works for an entertainment company, with credits that are amusing tweaks of tvN titles we know I Remember, I’m a Fool Ho-gu, Ghost Fighter. At the restaurant, Ho-rang handles all her server duties like a pro, but her red eyes and runny nose betray her, and we see her sobbing in the break room. She looks at her long list of messages to Won-seok that have been read but gone unanswered. Won-seok stares at a certain male user’s profile in their app that clearly states his desire to get married. We flashback to the play where Won-seok had broken up with Ho-rang, and see that while Ho-rang had gone to the bathroom, he read cordial messages between Ho-rang and that male user. Ack! Won-seok receives another message from Ho-rang, whose voiceover sounds resigned as she asks to talk, acknowledging his wishes to end their relationship. This time he replies and designates a meeting place. Ji-ho looks at the business card between tasks, which floods her mind with traumatic memories of Yong-seok’s sexual assault, and that godawful dinner afterward. She crumples up the business card and hardens her resolve, then throws it out. Just then, someone retrieves the card from the trash. Ji-ho’s eyes widen to recognize the woman from the cafe—or, as we know her, Se-hee’s ex Jung-min. Jung-min officially introduces herself as the CEO of the production company, wondering if their previous run-in was fate, and explains that the man who dropped off her business card was one of their directors. Ji-ho asks how she found out where she works, and learns of Bok-nam’s meddling after she’d ignored the director’s messages. Jung-min explains that she read Ji-ho’s script Turtle Gosiwon and wants to work with her. Ji-ho explains that she quit her job as an assistant writer, and quit writing. She explains that she got married, and works part-time at the cafe because it’s boring being at home all day. She apologizes for wasting Jung-min’s time and politely bids her farewell. But Jung-min asks why Ji-ho’s reasons sound like a sad excuse instead of a real reason. She tells Ji-ho to give her a call if she ever feels like telling her the truth, even if it’s just to get a drink. After work, Su-ji waits for Sang-gu with a grim expression. She doesn’t exchange pleasantries and drives all the way to the Han River, then angrily gets out without speaking. Sang-gu joins her outside, and takes her hand before she pulls away. Su-ji asks why he’s intruding on her private space and making her miserable. He’s stunned by the sharpness of her words, and explains that seeing each other’s family is normal between couples. She argues that she hates “normal” questions that inquire about her family. She adds that she knew he would say he didn’t know it upset her so much because that’s what everyone else in the world does, and she hates that. He tells her that he wants to brave the world together, so she humors him and asks him to envision what their married life will be like. She asks if he can live with her mother, and after he says that they can, she asks what he will tell his parents when he marries “a girl who doesn’t know who her father is, and whose mother is disabled.” Su-ji’s eyes grow wet as she tells Sang-gu that her mother worked at a restaurant and raised her alone. Su-ji is finally in the position to support her mother in return. She explains that she doesn’t know what it’s like to live in a normal family like Sang-gu probably does, because the only person her mom has is her. She tearfully warns Sang-gu not to give her false hope and be sweet to her, since it makes her want to be part of his world. Su-ji turns her back toward him, and doesn’t see his hand hover over her shoulder before falling back down. As the sun sets, Ji-ho narrates that in the novel Going to Room 19, the main character’s husband discovers her hidden room, and the wife lies and tells her husband that she’s been having an affair. When she’d read the book at twenty, she couldn’t understand the wife and wondered, “Is the room’s existence more important than lying about an affair?” Ji-ho had asked Su-ji that same question, and Su-ji replied that she understood “Because that room means nothing if people find out about it.” She explained that sometimes it’s easier to say something crazy than something that people can’t understand, because it’s better to be crazy than to be pathetic. Wow, that’s powerful. At the bus stop in the present, Ji-ho looks over the book and wonders why, when Jung-min asked if she still writes, she answered that she got married. Ho-rang and Won-seok meet, and Won-seok asks if she thought things through. She says that she was wrong for getting mad at him, and complaining about the sofa, and pressuring him to get married. He doesn’t seem pleased with her answer and asks what will be different if they got back together, and if it means that she won’t ask to get married anymore. She sadly promises not to if he hates it, which makes him explode; he asks why, if she wants to get married, she would hold back just because of him. Ho-rang explains that she wants to marry him, but he isn’t so sure, which confuses her. So he tells her about the messages he saw on the app, and Ho-rang hurries to explain that she was just trying it out because it’s his work. She swears that it meant nothing, but Won-seok doesn’t fully believe her, since she wants to get married, and so does the app guy. Won-seok tries to point out to her that given the state of their relationship, and his inability to marry her and give her what she wants, even if she doesn’t love someone else, her talking with someone else might be an indication of something changing inside of her. He hopes that she can be honest with herself, since it’s becoming clear they can’t satisfy each other. He begins to leave, but she frantically hugs him from behind, begging him not to go since she can’t live without him. Through tears he assures her that in time she’ll be fine without him, then removes her hands and walks away. On the bus, Ji-ho and Se-hee exchange sweet accounts of their day, after which Ji-ho shows Se-hee Jung-min’s business card. Ji-ho tells him about Jung-min’s offer, but admits that she isn’t sure what she’s going to do yet. She begins describing Jung-min as a strong woman who seems like she would use her strength to protect people rather than hurting them. Ji-ho calls Jung-min a unique person with a common name, and though it looks like there are some glimmers of recognition in Se-hee’s eyes as Ji-ho describes Jung-min, he assures himself with the thought that the name is a common one. Right then, Ji-ho receives an SOS from Su-ji about Ho-rang and heads immediately over to console her. Su-ji is already there, but Ho-rang looks lost in a trance, and refuses to go inside because she can’t be in “that room.” Se-hee joins Sang-gu and an already wasted Won-seok at a bar. Won-seok explains how Se-hee’s advice pointed out that his sentences all began with “I,” and how after he changed the subject of his sentences to “Ho-rang,” he was able see that he has only been trying to make himself happy for the last seven years. After Ho-rang falls asleep, Ji-ho tells Su-ji about Jung-min’s visit, and her puzzling lie about stopping her writing because she got married. Su-ji reasons that Ji-ho probably didn’t want to explain herself, since marriage can sometimes be a good shield in society. Ji-ho shares that she felt cowardly in that moment with Jung-min, but Su-ji defends Ji-ho and says that sometimes a person just wants to feel like everyone else, because in life people need a shoulder to lean on. Ji-ho wonders if Su-ji’s shoulder to lean on is Sang-gu, but she just smiles and says that she doesn’t need to depend on anyone because she has her mom’s support. After Won-seok passes out, Sang-gu asks Se-hee why he would give Won-seok such advice. Se-hee corrects him and says that Sang-gu actually gave that advice first, twelve years ago. We go back to that time, following Se-hee’s break-up with Jung-min. Sang-gu had said that men are selfish—and although Se-hee wanted to hang onto Jung-min, she was no longer happy to be held on by him, which was why she left him. Back in the present, they reminisce and marvel at the passage of time. Sang-gu asks if he knows what happened to Jung-min, but she cut off contact with their friends and disappeared. Se-hee says he doesn’t know, and when Sang-gu leaves the table, he pulls out Jung-min’s business card and looks pensive. When Su-ji brings Ho-rang to her apartment, they run into Sang-gu waiting in the parking lot. The couple drives somewhere nearby to talk, and Sang-gu confesses to following her that day, thinking she might be meeting another man, and saw her with her mom. He agrees that he doesn’t understand her world, because he came from ordinary circumstances. “But I must really like you,” he says, explaining that even as her sharp words pierce him and hurt him, he feels glad if by stinging him she can feel at ease. He promises not to invade her privacy again, or act like he knows everything about her life. However, he adds that he hopes she will face the world head-on, instead of running away or hiding behind excuses or cursing the world. His words bring tears to her eyes, and he adds, “And when you start to do that, I’m ready to stand there by your side.” He decides to stop the conversation there before it can turn into a scolding from Su-ji, and retreats. Su-ji watches him leave, then turns around and sees an apple as in, apology from Sang-gu tucked in the seat belt with her doll. Ji-ho wraps up the scene in voiceover “Everyone has a Room 19 of their own. No matter how close they are with others, they don’t want them to find out about that room. No matter how comfortable they feel around others, they can’t invite them to that room.” At their apartment, Se-hee and Ji-ho watch soccer again, and this time Se-hee asks why Ji-ho always sits on the floor. She says the floor is more comfortable, but she’d sat on the sofa in the beginning because she found the house and Se-hee a bit uncomfortable. Later, they say goodnight and Se-hee hands Ji-ho back the business card. He expresses his hope that their marriage isn’t making her hesitate in accepting Jung-min’s offer, because as he had promised her mother, he doesn’t want to get in the way of her future. In her room alone, Ji-ho thinks, “Maybe both he and I need to rest in our own Room 19 today.” She thinks for a moment, then hurries to open her laptop and views her scripts. The next morning, Won-seok and Ho-rang run into each other at their apartment, as Ho-rang packs her things notably, Ho-rang’s hair is shorter. Won-seok insists that he’ll move out and she should stay, but Ho-rang prefers to move out. She calmly tells Won-seok that he was right about her, and that it’s time for her to try and be honest with herself. She heads downstairs with her suitcase, and when Won-seok peers down, he sees the guy from that app waiting for Ho-rang and taking her things into his car. Aw, man. Ji-ho also decides to be honest with herself, so the next day she goes to see Jung-min. She isn’t sure what kind of story Jung-min wants, but says she wants to write a good story that only she can tell. Jung-min assures Ji-ho that she’s interested in exactly that kind of story. Before they begin their partnership, Ji-ho tells Jung-min that she was assaulted by a former colleague, and wants to deal with that matter before she’ll be able to write. Jung-min looks surprised, but ready to help, and recommends one of two tactics sue him, or “get rid of him.” Jung-min assures Ji-ho that her employees are good at handling such matters. Jung-min clocks Ji-ho freaked-out expression and admits that it was a joke, and asks to discuss actual options in detail over lunch. Ji-ho smiles then and remarks that Jung-min is not good at making jokes, and Jung-min replies that it’s part of her charm. They sit down for lunch with some drinks and soon the conversation shifts to Ji-ho’s husband, whom Ji-ho describes as a peculiar person whom she has never seen drunk before. Jung-min assesses that the couple is still being careful with each other, and Ji-ho confirms it and explains that they each have a “Room 19.” Jung-min finds that trait of their relationship enviable, and explains that married people need to be careful to protect each other’s personal space. Ji-ho asks why Jung-min isn’t married, and Jung-min says that she’d done “something like marriage” once before, when she was college and living with her boyfriend. She adds that they were dating and she had gotten pregnant, so they promised to get married, but lived together first. Jung-min continues that eventually she miscarried and so they broke up, which was easy since his family was against their marriage anyway. She’s surprised by her own candor, and chastises herself for drinking, and Ji-ho apologizes for prying. But Jung-min replies that “a privilege of getting older is that painful experiences are just memories now.” After Se-hee’s calls to Ji-ho goes unanswered, he heads out to find her, just as Ji-ho and Jung-min ride in a cab toward her neighborhood—totally wasted, and totally vibing. Ji-ho narrates “Maybe I already knew it then. That this person is his Room 19, and maybe he knew it too—that he would one day have to face his room.” Ji-ho gets out of the cab near her apartment, needing to urgently pee. She finds a bathroom, while Jung-min waits for her, and muses to the designated driver what a nice person Ji-ho is. Similarly, in voiceover Ji-ho asks herself, “Why do nice people all come at once?” She comes out of bathroom in time to see Se-hee wander by and run right into Jung-min—and they both freeze in recognition and surprise. Ji-ho narrates, “Why are fateful connections, which we can’t see coming, always so sad? His Room 19 and mine have opened.” COMMENTS This is probably one of the most emotionally intelligent dramas I’ve seen in a long time. Rare is a show that is so fluent in the language of human emotion, interaction, and self-exploration. It’s funny because often whenever a show has its characters frequently quoting books or dropping wisdom in voiceovers, it can feel very soapbox-like, and needlessly abstract, and characters begin to feel like naive mouthpieces for the writer. But with this show, I think the writing successfully keeps the quotes thematic to the episode, and beautifully weaves its analogy between the three couples as they progress and grow. On that note, the writing is masterfully evocative when painting the emotional landscape of our characters’ feelings and struggles. Like with Ho-rang’s story of the woman and the red coat, the usage of the Room 19 analogy provided so much depth of understanding in describing the various circumstances of each couple. I often feel like I’m watching dear friends go through their struggles, dealing with problems that don’t always have a right and perfect answer despite their best intentions. As a result, at the end of every episode I have this feeling that all I can do for these characters is simply to listen to them and be there for them as they try to work things out, just as I would do for a friend, and maybe learn some things about myself along the way. I love these characters so much, and while I know it’s important to be critical of their bad choices and cyclical patterns of behavior, I think it’s also important to be kind to them, and in turn, be kind to ourselves for the mistakes we’ve made in our lives. I feel like that’s the real intention of this story, because for all these characters’ flaws and shining successes, it always feels to me like the writer is treating every character with kindness and understanding, and rooting for them to try to be a little better each time. You can’t force a friend to see the error of their ways, but you can be there for them when they’re ready to. This show does a really good job of capturing the unpredictability of life, and the impossibility of truly ever fully knowing a person to their core, or predicting how they will react to a given situation, but also the importance of letting people surprise you, as Se-hee has done for us again and again. I don’t think I leave nearly enough space in my life to let people or dramas for that matter surprise me. It reminds me of something I heard recently of how being cynical and pleasantly surprised is not more sophisticated than being too idealistic and disappointed. In a way, I feel like Ji-ho is teaching me that it’s okay to be idealistic and disappointed even if things don’t work out, or if you make a fool of yourself, because you remain open to letting other people surprise you and enter your life. I loved the thought Ji-ho expressed at the end about “nice people coming all at once,” because Jung-min is really a lovely person, and it makes sense that someone as sensitive and careful as Se-hee would fall in love with someone kind and caring. I don’t know why, but I don’t see Jung-min as a threat to Ji-ho and Se-hee’s budding relationship. I feel like Ji-ho’s relationship with Jung-min is a crucial one that will help her return to her dream and become an important career support system that she never had before, and help her become the writer she’s always hoped to be. Maybe I’m wrong, and maybe there’s another skeleton in the closet about Se-hee and Jung-min’s past that will come back and shock Ji-ho into letting him go, but I feel like any revelation will only bring them closer, and make them stronger than before. Also, I feel like Ho-rang and Won-seok may have fulfilled the “break-up and come back together” quota for this stage in the drama. Speaking of, I was surprised to find Ho-rang and Won-seok’s break-up scenes so moving. Because for something so inevitable, these two actors, especially Kim Ga-eun, really nailed it. I don’t find Won-seok’s reasons super compelling outside of context, but I thought it really worked here because knowing Ho-rang, she would try to convince Won-seok that she would be happy without getting married, but ultimately be unhappy. I do miss chipper, and confident Ho-rang, but I’m happy to see her trying to find a way forward and not believing she can manipulate Won-seok into getting her way as she’s done before. On a final note, Su-ji and Sang-gu are perfection. [geolocator_show for=”SG”][/geolocator_show] RELATED POSTS Premiere Watch 20th Century, Witch’s Courtroom, This Life Is Our First, Mad Dog, Revenge Club, Go Back Spouses, Package, Black, Revolutionary Love A cat and two humans bunk up for tvN’s Because This Life Is Our First Poker-faced housing negotiations for Because This Life Is Our First Yoon Doo-joon to cameo in Because This Life Is Our First House-poor Lee Min-ki finds house-hunting Jung So-min in Because This Life Is Our First Supporting cast secured for tvN’s Because This Life Is Our First Jung So-min becomes Lee Min-ki’s housemate in Because This Life Is Our First Lee Min-ki offered new tvN drama Because This Life Is Our First Tags Because This Life Is Our First, Episode 13, Jung So-min, Lee Min-ki Premium Supporter Currently Airing finally I am so happy that the marriage obsessed and engineering guy couple are breaking up. its obvious that they gonna get back together in later episode, but honestly that relationship was such a fat mess from the beginning. it was flying bright red flags all the way from the start and throughout its entire existence. I cant find one cute thing in their relationship, all their "cute" scenes felt like they were fleeting moments of happiness that were placed so perfectly so it would hide their issues. like for example the whole couch shit, she literally never apologised for that, her apology was just to cry and say "I wanted to get proposed to", does that really make it any better. they had a whole "cute" scene where he was coaxing her or what not, but really why is that his job, he literally didn't even get an apology he just gave into her hurt and pushed aside his. they whole issue was she was the main character and he was her doll. the whole I shaped him into boyfriend material, now to shape him into husband material, seriously what part of that was ok, that what I mean, just cos she had a smile on her face when she said it, dont mean it cute relationship things. it just hiding a bunch of unsolved shit. its so unbeleivably sexist their relationship, it drives me insane. they painted it to be the typical"woman and men dont speak the same lnauge problem" and its just so disgusting. that genre of "love" really deserves a break up. I think she's the only character that irritates me in this whole drama. like im not saying her dreams are less important or nothing, but she dont let anyone think that way so that's not even the issue, its the fact that she's so selfish and no one called her out on it till now. Read More Was this review helpful to you? recaps discussion news cast 362 November 29, 2017November 29, 2017 Because This Life Is Our First Episode 15 Somehow we’ve arrived at the second-to-last episode, and while it feels to me like we got here too fast, in this episode it does begin to feel like we are approaching the ending of a completed story. Though my heart doesn’t want to say goodbye to these characters and this beautifully crafted show, I think I am ready to see what each character has chosen for themselves, and be happy for them regardless of the outcome. Episode 15 “Because this is my first intermission” Ji-ho asks Se-hee to dissolve their contract, and his eyes move immediately down to Cat’s new nametag, which Ji-ho has missed. He repeats her request slowly as a question—his voice wavering slightly—but she doesn’t meet his eyes as she affirms it. Elsewhere, Young-hyo sees Ho-rang back to Su-ji’s, and the atmosphere between them is friendly as Young-hyo thanks her for a nice time. It seems that she’s also warmed to his silliness, and she bids him farewell with a smile. Ji-ho and Se-hee reconvene at the dining table, where Ji-ho explains that since her contract with Jung-min’s company will likely go forward, soon she’ll be able to find her own place to live. Thus, there would be no reason to continue with their contractual marriage. Cat whimpers in the background when Se-hee congratulates Ji-ho on her job, since she will now be able to continue writing. He seems anxious and tells her that they can discuss the specifics later, then gets up to leave. But before he goes, Ji-ho reminds Se-hee that there was something he wanted to say, and her expression is heartbreakingly sad as she waits for Se-hee to speak. After a beat, Se-hee says that he will take care of the recycling from now on, given that Ji-ho will likely become busier during the week with her job. Later in her room, Ji-ho remembers her conversation with Se-hee’s father, where she confessed that she married Se-hee because of his house. She explained that they married because their conditions and values matched, and apologized. His father hadn’t thought it such a big deal, and remarked that most people marry for the same reasons, rather than love. His answer surprised Ji-ho and she asked why he accepted her even though their marriage was so sudden, Se-hee’s father explained that it was the right age for Se-hee, and given all of Ji-ho’s merits, there was no reason to oppose. Plus, she said she loved Se-hee back then, which he thought was fortunate. Ji-ho found that reasoning strange—the idea that having love in a marriage was “fortunate” rather than necessary. She admitted that it been bothering her that she lied when he had asked her why he was marrying Se-hee, because although it was a lie then that she was marrying him for love, now she had really fallen for him. Se-hee’s father smiled, and said that kind of love was common between married couples, and urged her to take the bankbook. Outside, she bid Se-hee’s father farewell without feeling like she had been clearly understood, and in the present, Ji-ho looks at the bankbook in her hand with a heavy heart. She calls Se-hee on the phone to ask, “What is marriage? Do you know what marriage is?” The question sends Se-hee back to the memory of him telling his parents that he was planning to marry Jung-min twelve years ago. His announcement was met with a swift slap to the face from his father, and subsequent shouting. Se-hee promised to take responsibility for Jung-min and their baby because he loves her, and his father angrily asked if love would feed them, or pay Jung-min’s parents’ debt. Se-hee asked how his father could only worry about his reputation and rumors when Jung-min is going through so much. His father had kicked Se-hee out of the house then. In the present, still on the phone with Ji-ho, Se-hee walks to her door and puts his hand on the handle. But he stops when Ji-ho says through tears that a real marriage with love must be a happy one. Slowly, he lifts his hand from the handle and thinks to himself, “Her voice is shaking. Her eyes are tearing up. Ji-ho is crying because of me.” Noooooo, open the door. The next morning, Ji-ho finds that Se-hee has already completed her usual chores. She spots an envelope on the table with a note from Se-hee informing her that he’s going to his parents, and to let him know if she needs anything to terminate their contract. Inside the envelope she finds their contract. Won-seok wakes in his studio and is startled to find Bo-mi lying on the floor next to his bed. He freaks out to see himself in his underwear, and she asks if he forgot what happened the night before. He notices Bo-mi holding Ho-rang’s pink pillow and snatches it back from her, yelling at her for using it. She slaps him hard across the face and calls him rude, informing him that he took off his own pants when she brought him home from the club after he passed out. She storms out, and so he chases after her to apologize. He explains that he’s mad at himself and unfairly took it out on her. Bo-mi, in her usual curt way, simply asks if they’re getting hangover soup and walks ahead. Coincidentally, Ho-rang and Young-hyo are also eating hangover soup at the same restaurant as Won-seok and Bo-mi walk in. Bo-mi recognizes Young-hyo as their accountant and joins him, making the ex-couple uncomfortable. Ji-ho resigns from her cafe job and nearly misses saying goodbye to Bok-nam. He finds her at the bus stop and gives her a framed photo of the one he took on her wedding day of her and Se-hee stiffly shaking hands, and she thanks him for the thoughtful gift. Se-hee visits his parents to tell them of his impending divorce. He cites their different personalities, which her mother finds absurd, meanwhile his father silently leaves the room upset. Things are awkward at breakfast as Ho-rang tells the table that she met Young-hyo through the app. Young-hyo thanks Bo-mi and Won-seok for helping him meet his “ideal woman,” then proceeds to call Ho-rang perfect, and explains his dream to marry someone like her. This tidbit leads Bo-mi to assume that they’re a couple and seriously discussing marriage, but Ho-rang hurries to correct her and crosses nervous glances with Won-seok. Young-hyo confirms the misunderstanding, but then enthusiastically vows to do his best until Ho-rang accepts his eventual proposal. God, this guy is so painfully awkward to watch. Then Young-hyo notices that Ho-rang hasn’t added any perilla seed powder to her soup and motions to add some, but before Ho-rang can explain that she doesn’t like it, Won-seok reflexively stops him in a panic. On the bus, Ji-ho looks at the framed picture, then calls someone to request a date. Se-hee finds his father outside smoking, and he’s resigned to Se-hee’s decision and says that Se-hee always does as he pleases anyway. Se-hee doesn’t see it that way at all, and tells his father that ever since “that day” he hasn’t been able to live as he wanted for a single moment, because the first person he ever chose for himself was denied by the person he loved and trusted the most his father. Se-hee tells his father that he loved him so much and yet he ignored the life Se-hee had chosen, and made a door form inside Se-hee’s heart. His father gruffly says that if he could go back in time, he would do the same thing again, since he could never stand by and watch Se-hee ruin his life. He asks Se-hee to imagine how unhappy he’d be now if he had gotten married to Jung-min then, so Se-hee asks why his father let someone else’s daughter go through hell alone just to save his son. His father replies that his child is more important, and though it’s selfish, it’s his way of loving Se-hee. Se-hee understands his father’s feelings but says that given what happened with Jung-min, he doesn’t have a right to be with someone, and that being unhappy on his own is enough. Ji-ho’s “date” turns out to be meeting Jung-min at a rock-climbing class. Jung-min asks if Ji-ho really won’t contract with her company, and whether it’s because of Se-hee. Ji-ho replies that it would be a lie if she said no, then adds that she is getting divorced. Jung-min is astonished and her expression turns troubled, thinking herself the reason. Ji-ho says lightheartedly that she isn’t that influential in their relationship, and Jung-min is relieved to have overreacted. Ji-ho actually thanks Jung-min for giving her the opportunity to clarify her feelings for Se-hee. She explains that she wants to love Se-hee with all her heart but doesn’t know how, because “I feel like I’m locked in the Room 19 that is marriage.” Ji-ho calls her feelings odd and complicated, but Jung-min understands too well because she knows that marriage involves so many people’s feelings. However, the trouble is that everyone’s feelings are sincere, all beautifully intentioned. But when beautiful things grow entangled with each other, it can be difficult to recall their original beautiful shapes. Jung-min muses that this must be why people say married spouses stay together out of attachment and become family. She calls marriage impressive, but at the same time scary. Still, Jung-min sighs regretfully, she’d hoped that Ji-ho and Se-hee would have a happy ending. Ji-ho asks, with wide-eyed exaggeration, if Jung-min thinks that she and Se-hee can only be happy if they’re married and if divorcing means that they’ve failed somehow. Ji-ho exclaims how odd it is that the CEO of a production company leading the contemporary culture would be so old-fashioned in her thinking, teasing that she’ll have to reconsider working with her company. Jung-min initially fidgets uncomfortably, taking the comments seriously, then realizes Ji-ho is joking and laughs in relief. Meanwhile, Se-hee has drinks with Sang-gu at the office, and Sang-gu asks if Se-hee was able to confess to Ji-ho. He looks at Se-hee’s text message asking him for advice on the least corniest line to tell Ji-ho how he feels, and finds it amazing that they were authored by Se-hee so sincerely. By this point, Se-hee has gotten adorably drunk as he admits that didn’t confess because Sang-gu said that all the options sucked, but Sang-gu asks meaningfully if Se-hee couldn’t confess, or didn’t. Su-ji visits her mom in Namhae, and tries to hide her girlish smile when she receives Sang-gu’s text message. Mom notices and brings up Sang-gu so that she can voice her grievance for not knowing about Sang-gu earlier, and feeling like she’s competing with Sang-gu for Su-ji’s attention. Eventually the air becomes strained when Mom asks if her bad legs are making Su-ji hold back from going after what she wants in life. Su-ji heatedly insists that isn’t it, so Mom pointedly asks why Su-ji can’t quit her job then, even though it brings her so much stress and unhappiness. Su-ji replies that they need they money, which Mom knows is for the apartment she’s already vowed not to move into. Su-ji asks hotly how Mom is going to live alone with her bad legs forever, which confirms Mom’s fear of Su-ji holding back because of her, when she had always told Su-ji to stand tall. Ji-ho returns home and thinks back to a conversation she had at Su-ji’s, where Su-ji asked Ji-ho to pick the least of the three cheesiest lines for confessing one’s feelings. Su-ji had gotten the text from Sang-gu, and told Ji-ho it was probably from Se-hee. The revelation stunned Ji-ho, and as she walks home, she wonders why she doesn’t feel happy in that moment. Those words were something she’d been waiting to hear, but she wonders now why she feels afraid. Nearby she hears a ruckus and sees Sang-gu trying to wrangle a stumbling Se-hee home. As Ji-ho approaches, Se-hee shouts her name loudly in a drunken stupor and then flops forward, leading Ji-ho to help corral him. They manage to put him into bed but not without some drunken shenanigans where Se-hee gives them a fright when he sits up in bed and reveals a drunken habit of taking of his clothes and neatly folding them. LOL, cute. Ji-ho serves Sang-gu a drink, and Sang-gu tells Ji-ho that Se-hee was planning to confess his feelings to her, and she admits that she already heard from Su-ji. Ji-ho then asks if Sang-gu has ever seen Se-hee mad or scared before. Sang-gu answers that he has—many times before. He’s seen him crying too, and Ji-ho voices her envy for him having been able to see Se-hee express his emotions. She sighs that she’s never seen Se-hee’s Room 19, and that she won’t know what to do until he shows her what’s inside. But perhaps he doesn’t know what’s inside, or he doesn’t know how to open the door, or maybe he’s just scared of her seeing it. She tries to play off her statements as strange, but Sang-gu says that he understands… only to assume that Room 19 is what Se-hee named his folder of porn. Ha! Sang-gu promises to get Se-hee to quit “those kinds of videos,” and Ji-ho tries to explain that it’s not what she meant, to no avail. Young-hyo drives Ho-rang home after spending the day together, and when he notices that her legs are shivering, she remembers Won-seok sweetly bringing her socks to wear on their walk home. Young-hyo talks casually about his life as if getting married and having kids are all he can think about, but Ho-rang just smiles awkwardly. In his studio, Won-seok remembers Young-hyo praising Ho-rang for being smart and easygoing. He cradles Ho-rang’s pink pillow and likewise goes back down memory lane to one of their earlier memories, where Ho-rang cried because Won-seok didn’t look back at her waving when they parted. It’s a silly memory, which makes Won-seok in the present scoff at how not easygoing Ho-rang actually is. He texts Sang-gu to ask between three options the best language to use when texting someone late at night. Sang-gu tells him not to send anything and go to bed, but it turns out that Won-seok doesn’t have to Ho-rang texts him instead, asking if he’s asleep. She frets alone in Su-ji’s room when she sees that Won-seok read her text, then panics when he calls. They both navigate carefully through small talk, until Won-seok says that Young-hyo seems like a nice guy. Ho-rang agrees, and says that she’s still getting to know him and her feelings too, in order to find what might be in her heart as he suggested she do. Ho-rang calls Bo-mi a cool and honest girl a statement Won-seok neutrally agrees to, then says that she spent a quarter of her life with Won-seok. Won-seok apologizes for not being able to be responsible for the time they spent together till the end. But Ho-rang says that she didn’t say it to get an apology, but rather wanted to say that she was happy she got to spend the best time of her life with him. Aww, how lovely. She asks him to call her if he’s ever going through a hard time, since though they were once lovers, they were also old friends. He tears up from her wise words and she hurries to let him go, but before they hang up he asks her to definitely “be happy.” In Namhae as they lie in bed, Mom asks Su-ji to understand how she feels because she’ll only be happy if Su-ji is. She urges Su-ji to fly high for her, as Su-ji cries. Oh no, the tears. In voiceover Ji-ho says, “The heart’s intentions were beautiful. Ultimately, those beautiful hearts all just wanted to make you happy. A passing heart, a new heart, someone’s clumsy heart, and also this hurting heart—ultimately, they all hope for you to become happy. Will I be able to protect all those beautifully intentioned hearts as they are?” Ji-ho watches over Se-hee sleeping that night, and traces his profile in the air with her finger. Her mother calls late at night to relay some news, but we don’t hear what just yet. Se-hee wakes the next morning with a hangover, and finds some soup and hot tea left for him by Ji-ho. He goes to her room but finds it empty except for a large backpack on the bed. Jung-min calls right then, and he answers. Ji-ho tries to return the bankbook from Dad to Se-hee’s mother, but she’s preoccupied with getting Ji-ho to make-up with Se-hee. She seems to understand that Ji-ho might be upset because Se-hee acts indifferently, which makes it hard to know what he’s thinking. Ji-ho agrees with her, so Mom assures Ji-ho that all men are like children, which is why women should take care of them and try to understand them. However, this is were Ji-ho diverges with Se-hee’s mother’s logic. She states that marriage should take place between two adults, and that Se-hee is an adult, who has been hurt a lot in the past. She adds that Se-hee’s father told her that a wife is supposed to act as a bridge, and she had thought that since Se-hee was her landlord, being a bridge was a good thing. But the more she fell in love with him, the more confused she became, until she decided that she wasn’t sure if she should let the confusion continue—the confusion of exchanging labor like kimchi-making and cooking for memorial rites, uncertain of where the exchanging would end. Ji-ho tells Se-hee’s very puzzled mother that she doesn’t want to continue taking care of Se-hee just to maintain her marriage, and act like a bridge and buffer between two families because of Se-hee’s wounds. She says that Se-hee’s parents hurt Se-hee, and though it was a long time ago, wounds can remain and happen again in different ways. Se-hee’s mother calls Ji-ho selfish for calling off the marriage without consulting the parents, and says that marriage is sacred. Ji-ho disagrees, however, explaining that love, and not marriage, is sacred. When they meet, Jung-min tells Se-hee that Ji-ho knows of their past relationship. Se-hee notes that Jung-min and Ji-ho seem rather close, and Jung-min asks if it’s strange. He replies dryly that it isn’t common, and Jung-min agrees that she thought it was weird at first, but Ji-ho told her that there were no reasons to think so. She adds that Ji-ho may be a little crazy, in a good way. Jung-min tells Se-hee that she didn’t know that her hurtful words about not having a right to love would reach him and stay with him for so long, then apologizes because she wrote them during a low point. He says that she doesn’t have to explain herself, then uses Ji-ho’s words and says, “It’s no one’s fault, back then it just turned out that way.” This time Jung-min has new words for him “Be happy.” Se-hee returns home and sees Ji-ho packing up her things. He asks about her parents, but she has already told them the news yesterday when they came to visit. He asks whether she has secured a place to live, but she says that she’s going to travel first, since she’s never done that alone before. He expresses his gladness that she found a path that makes her happy, and is even doing something that she never had time to do before. She asks about his plans, which surprises him. He replies that he’ll probably continue living the same way. She asks meaningfully if he’ll get a new tenant too, and after a pause he shakily replies that he probably will. The time finally comes for them to terminate their contract, and so they each rip their copies in half. With that, it ends. Ji-ho asks if there is anything that Se-hee wants to say her expression hopeful but sad, and Se-hee thinks, “I wanted to say that I have a gift that I bought her. I wanted to say that there are still many soccer games to watch with her. I wanted to say that. But…” Aloud, he says no. And so, she grabs her things and goes to the door. As she puts on her shoes, Se-hee continues internally, “If I say these things now, they would go inside her heart and stay there for a long time.” As a final gesture, Ji-ho suggests they shake hands, then wishes them both luck since it’s the first time they’re getting divorced. He takes her hand and wishes her luck likewise. Before she goes, she looks back at him once more and lingers for a second before finally exiting. As she does, Se-hee thinks, “I became alone again.” He settles down for a beer and some soccer, but realizes that he hasn’t seen Cat in a while. He calls for her and ends up in Ji-ho’s empty room. He sits on the mattress and looks around for a moment when Cat comes trotting in. Se-hee stills when he sees the “Woori” nametag around Cat’s neck, and soon his mind fills with memories of Ji-ho. He cries and says brokenly that he misses her. In voiceover he narrates, “Today, I lost what would have been my one and only love.” COMMENTS By the end of episode thirteen, I really didn’t think that Ji-ho and Se-hee would part ways, but perhaps I was blinded by my selfish desire for an ending where Se-hee and Ji-ho spend the rest of their days living their quirky and simple life all the romantic recycling! And Cat co-parenting!, all while making these unhurried and mundane strides forward in love bit by bit. I was perfectly content with glossing over the fact that Se-hee has been living the last twelve years in reaction to his trauma, and in a totally self-contained way, in hopes of never hurting anyone or being hurt by anyone again. He’d been abiding by Jung-min’s spiteful words born of anger and despair, without addressing how his way of living and thinking and emoting affects Ji-ho and Se-hee’s relationship ability to move forward. Clearly my assumptions prove that I haven’t been paying nearly enough attention to some of the main lessons of this drama, and specifically Se-hee and Ji-ho’s love story. Because people are not self-contained entities, they come with pasts, presents, and futures, and people in their lives, whose feelings are intertwined with theirs in complex and sometimes irreconcilable but deeply felt ways. There’s a pain there in Se-hee’s family that hasn’t been able to heal through the years, even with the good intentions, understanding, and deep love from all sides, and Ji-ho realized for herself that trying to be an ideal daughter-in-law wasn’t going to heal those wounds, but nor should she try to. Because allowing her relationship with Se-hee continue on its old trajectory would likely result in Ji-ho living like Se-hee’s mother and constantly needing to be understanding of Se-hee and making up for his shortcomings and emotional aloofness, without ever forcing him to express himself and be accountable for his own feelings, and for making sure his feelings reach her. I loved those scenes where Ji-ho was patiently and heartbreakingly waiting for him to realize these things for himself, because maybe then she wouldn’t need to leave. GAH! I don’t know anymore! I just need to know that they end up together! I don’t know if I can handle another scene of someone throwing Cat’s name tag into the trash. In all seriousness, my favorite moment in this episode was surprisingly that really short one between Su-ji and her mom when they were in bed and she told her to fly. When she said that she can only be happy when Su-ji is—those words opened the floodgates. It was the same kind of intense, lighting-quick, and bone-deep emotion I felt about Mom’s letter to Se-hee at their wedding, and it was a beautiful moment. I am really going to miss these moments when this show ends. On that note, another mother-daughter moment I am expecting to make me cry is the one between Ji-ho and her mom. Mom is such a special character that has an amazing way of providing so much perspective in this already rich world, so I always find myself missing her in episodes she isn’t in. I really hope that she rounds out the show with some of her signature wisdom and helps Ji-ho find her way back to Se-hee somehow, or maybe the other way around, because Ji-ho seems to have a clear understand of her feelings, but Se-hee still might need to. I think I would love a final scene with Se-hee and Mom because those two are adorable and seem to really understand each other. [geolocator_show for=”SG”][/geolocator_show] RELATED POSTS Premiere Watch 20th Century, Witch’s Courtroom, This Life Is Our First, Mad Dog, Revenge Club, Go Back Spouses, Package, Black, Revolutionary Love A cat and two humans bunk up for tvN’s Because This Life Is Our First Poker-faced housing negotiations for Because This Life Is Our First Yoon Doo-joon to cameo in Because This Life Is Our First House-poor Lee Min-ki finds house-hunting Jung So-min in Because This Life Is Our First Supporting cast secured for tvN’s Because This Life Is Our First Jung So-min becomes Lee Min-ki’s housemate in Because This Life Is Our First Lee Min-ki offered new tvN drama Because This Life Is Our First Tags Because This Life Is Our First, Episode 15, Jung So-min, Lee Min-ki The favorite light-to-watch Korean drama, Because This Is My First Life, began to air from October 9, 2017, to November 28, 2017. The process of script reading for all cast in this drama began in August 2017 in Sangam, South Korea. Because This Is My First Life is starred by Lee Min Ki as the male lead and Jung So Min as the female lead. Jung So Min is known for her role as the main actress in several K-dramas, such as D-Day 2015, The Sound of Your Heart 2016, and My Father Is Strange 2017. Meanwhile, Lee Min Ki had acted in Shut Up Flower Boy Band in 2017 before filming Because This Is My First Life. This drama was aired every Monday and Tuesday at 2130 KST on tvN to replace the previous tvN drama, Argon. Read more Beyond Evil – Cast & Summary tvn DetailsSynopsis of Because This is My First LifeMain CastSupporting CastOST Original SoundtrackTrailer of Because This Is My First Life Details Title Because This Is My First Life / 이번 생은 처음이라 Also Known As This Life Is Our First / Yibun Saengeun Cheoeumira / This Life is Our First / Ibeon Saengeun Cheoeumira Genre Romantic Comedy Country South Korea Director Park Joon Hwa Producer Lee Jung Hee Screenwriter Yoon Nan Joong Production Companies MI Inc. Network tvN Episodes 16 Air Dates October 9, 2017 – November 28, 2017 Air Time Monday and Tuesday, 2130 KST This drama tells a story about a piece of the life of two ordinary people. The story highlights the life between Yoon Ji Ho Jung So Min and Nam Se Hee Lee Min Ki, who has a very different personality. Nam Se Hee is a 30s-years-old man who has been living his life in his own way. He is still single and makes a decision to not marry anyone. On the other side, Yoon Ji Ho is also facing her 30s life. She is also single and she struggles to achieve a successful life. Ji Ho doesn’t have her own home and wants to have one. Besides, she also doesn’t want to date anyone anymore because she struggles financially. One day, she meets Nam Se Hee that has his own home. Se Hee offers to rent his house to Ji Ho and they finally become a housemate. Read more Crash Landing On You – Cast & Summary Main Cast tvn Lee Min Ki as Nam Se Hee A very socially awkward and quirky computer designer. He is very smart and can afford his own life by buying his own house even though he still has to pay the mortgage. But unfortunately, he makes a decision to not marry or dating. After meeting Ji Ho, he becomes a housemate for her. tvn Jung So Min as Yoo Ji Ho After the pregnancy of her brother’s girlfriend, she moves out directly from her house. Even though she is financially broke, she still wants to go out and finally lives in Se Hee’s house. Supporting Cast People around Nam Se Hee Kim Eung Soo as Nam Hee Bong Moon Hee Kyung as Jo Myung Ji People around Yoon Ji Ho Kim Byeong Ok as Yoon Jong Soo Kim Sun Young as Kim Hyun Ja Noh Jong Hyun as Yoon Ji Suk Jeon Hye Won as Lee Eun Sol Esom as Woo Su Ji Park Byung Eun as Ma Sang Goo Kim Ga Eun as Yang Ho Rang Kim Min Seok as Sim Won Seok Others Kim Min Kyu as Yeon Bok Nam Lee Chung Ah as Go Jung Min Yoon Bo Mi as Yoon Bo Mi Hwang Seok Jeong as Writer Hwang Yoon Doo Joon Yoon So Hee Kim Wook as a director OST Original Soundtrack Star Figure – U-ji Everyday – Haebin Gugudan I Want to Love – MeloMance Marriage – MoonMoon This Life – Moon Sung Nam Shelter – Heejin Good Day Tomorrow – Ryu Ji Hyun Can’t Go – Ben Trailer of Because This Is My First Life

sinopsis because this is my first life episode 13